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The Art of the Pastiche

What do we look for in a Holmes pastiche? Which are the most important elements for us?

For me, I look to the characters of Holmes and Watson. If they are 'right' I can forgive even the odd creakiness of plot. Whatever else may go on around them I do like my Holmes and Watson to be as canonical as is possible. I have placed them in my demented scribblings in all kinds of situations such as; the land of Oz, meeting Laurel and Hardy, Holmes being a Time Lord in a Dr Who piece, the sphere of the supernatural, but I always, always endeavour to have them behave traditionally in every way whatever madness goes on around them.

In a recent interview Anthony Horowitz said that his opinion that most pastiches were, 'by and large terrible'. I beg to differ. I find the majority of the pastiches to be good..some very good....some excellent. Some of these can produce heated views. I am thinking of 'The Last Sherlock Holmes Story' by Michael Dibdin. I know some who will not give it house room, who hate it with a passion.
The central premise of this Holmes vs Ripper tale is indeed shocking and it is no wonder that for so many Holmes enthusiasts it is a work to be avoided. Personally, I enjoyed it immensely. The whole flavour of that time is brought vividly to life. The dialogue crackles with authenticity and it undoubtedly a gripping read.

To my mind, the final sacrifice (you have to read it to find out more!) reveals the depths of the friendship of these two men. I find it every bit as moving as the glimpses into 'a great heart' in the 'Three Garridebs'.

Feel free to argue.....................